Volume XII, number 2
GENRES AND HISTORICITY: Texts, Cotexts, Contexts
Published online: 2010-12-13
Articles
HOUSES IN THE ENGLISH NOVEL: MODERNISMS, EKPHRASES, AND THRESHOLDS
Michael Hattaway
MIHNEA GHEORGHIU’S CONTRIBUTION TO THE RECEPTION OF EUGENE O’NEILL IN ROMANIA
Adriana Bulz
JAMES JOYCE’S INFLUENCE ON CONTEMPORARY IRISH WRITERS
José Manuel Estévez-Saá
I STARTED A JOKE – TEXT, COTEXT, CONTEXT: THE ROUGE RENDERING OF “PIRACY” AS A VEXED LEGAL CONSTRUCT OVER TIME AND PLACE
Eric Gilder and Mervyn Hagger
CANONICAL APPROACHES TO SHAKESPEARE: DR. JOHNSON AND COLERIDGE
Nicolae-Andrei Popa
RECONSTRUCTING THE PAST BY MEANS OF SUBJECTIVITY AND FICTIONALITY IN LOVE, ETC BY JULIAN BARNES
Alina Roscan
THE TITANIC ATOM: EDGAR ALLAN POE’S ROMANTIC COSMOLOGY IN “EUREKA”
Mihai Stroe
THE CONCEPTUAL AND GENERIC BORDERLINES OF UTOPIA
Iuliana Tănase
NOTES TOWARDS A CONTEMPORARY POETICS OF COTEXT AND ITS CULTURAL LITERARY CONTEXTS
Chris Tănăsescu
MEANS AND ENDS IN CONCEPTUAL ART
Roxana Tohăneanu-Shields
METAMORPHOSES OF THE COVENANTERS IN SCOTTISH HISTORICAL FICTION
Cristian Stefan Vîjea
THE ‘SPLIT INFINITIVE’ (OR INVASIVE ADVERB) AS CULTURAL EMBLEM
Richard Witt