Volume X, number 1
Writing the Self: Modes of Self-Portrayal in the Cultural Text (I)
Published online: 2008-11-30
Articles
POST-EGO: MICHEL HOUELLEBECQ AND MAN’S AUFHEBUNG
Ioan Pânzaru
THE FALLING MAN OF THE 9/11 NOVEL
Rodica Mihăilă
WIRED SELVES: THE FEAR AND ATTRACTION OF BLOGGING
Laura Savu
RECONCILING THE DIVIDED SELF IN MURIEL SPARK’S THE MANDELBAUM GATE
Martin Potter
METAMORPHOSIS AND IDENTITY CONSTRUCTION IN SALMAN RUSHDIE’S THE SATANIC VERSE
Petya Tsoneva Ivanova
COPING WITH TRAUMA: SELF-PORTRAYAL IN LINDA HOGAN’S MEMOIR
Ludmila Martanovschi
TRAUMA, MADNESS AND COMING OF AGE IN LINDA HOGAN’S SOLAR STORMS
Yonka Krasteva
MARGARET ATWOOD, SURFACING: SEARCHING FOR ROOTS
Aba-Carina Pârlog
THE DESTRUCTIVE NATURE OF THE NARRATIVE SELF IN J. M. COETZEE’S YOUTH: A STRAWSONIAN PERSPECTIVE
Roxana Tohăneanu-Shields
THE SELF AS MYTH, MASK AND CONSTRUCT IN VLADIMIR NABOKOV’S SPEAK, MEMORY!
Judit Pieldner
A WAY OF READING THE WRITTEN SELF OF ANOTHER
Brânduşa Răileanu-Prepeliţă
“THE HISTORY OF THE WORLD AND…MINE”: PRIVATE AND COLLECTIVE HISTORY IN PENELOPE LIVELY’S MEMOIRS
Fabiola Popa
NEGOTIATING LANGUAGES, TRANSLATING THE SELF: THE EMERGING SELF IN JEANETTE WINTERSON’S ART AND LIES
Ileana Botescu Sireteanu
“A LITTLE IN LOVE WITH DEATH”. STAGING THE DISAPPEARANCE OF THE MODERN SELF IN LONG DAY’S JOURNEY INTO NIGHT
Adriana Bulz
THE TEXT OF THE TRANSSEXUAL SELF: ROSE TREMAIN’S SACRED COUNTRY
Cristina Nistor
THE INTERTEXTUAL SELF: WRITING THE SELF IN PETER ACKROYD’S DAN LENO AND THE LIMEHOUSE GOLEM
Simona Catană
JEWISH IDENTITIES WITHIN THE AMERICAN SELVES: ETHNOCENTRIC ANXIETIES IN THREE JEWISH-AMERICAN AUTHORS
Vakrilen Kilyovski and Ivan Angelov
QUESTIONING TWO CANONICAL CONCEPTS OF “SELF” AND “AUTHENTICITY” IN PEDRO ALMODOVAR’S FILM ALL ABOUT MY MOTHER
Cătălina Florescu
THE ANALEPTIC PROTOCOLS OF MEMORY – THE HIDDEN AND THE REVEALED
Daniela Cârstea