VOLUME 14, NUMBER 2 (In progress)
TIME AND SPACE IN LITERATURE AND THE ARTS (II)
Published online: 2024-10-15
Articles
Spatiotemporal Schemas of Progress and Stasis in Rose Macaulay’s Told by an Idiot: On Moving Forward and Going Round
Craig Melhoff pages 5-14
Cite article:
Melhoff, Craig. Spatiotemporal Schemas of Progress and Stasis in Rose Macaulay’s Told by an Idiot: On Moving Forward and Going Round. University of Bucharest Review. Literary and Cultural Studies Series 14(2), 2024: 5-14, https://doi.org/10.31178/UBR.14.2.1
Finding a Space to Call Home in Tayari Jones’s Leaving Atlanta
Bozhidara Boneva-Kamenova pages 15-24
Cite article:
Boneva-Kamenova, B. Finding a Space to Call Home in Tayari Jones’s Leaving Atlanta. University of Bucharest Review. Literary and Cultural Studies Series 14(2), 2024: 15-24, https://doi.org/10.31178/UBR.14.2.2
Spatiotemporal Profiling and The Need For Energy Commons in Stuart McMillen’s Peak Oil
Shrabanee Khatai & Seema Kumari Ladsaria pages 25-41
Cite article:
Khatai, S., & Ladsaria, S. K. Spatiotemporal Profiling and the Need for Energy Commons in Stuart McMillen’s Peak Oil. University of Bucharest Review. Literary and Cultural Studies Series 14(1), 2024: 25-41. https://doi.org/10.31178/UBR.14.2.3
Fragmentary time and Personal Crisis in Ivana Mladenovic’s Ivana the Terrible
Madalina Meirosu pages 42-51
Cite article:
Meirosu, M. Fragmentary time and Personal Crisis in Ivana Mladenovic’s Ivana the Terrible. University of Bucharest Review. Literary and Cultural Studies Series 14(2), 2024: 42-51. https://doi.org/10.31178/UBR.14.2.4
Distant Reading of Two ‘Distant Writings’ by Istrati and Cartarescu: Penchant for a Chronotopic Construct in Mediterranean and The Levant
Eyup Ozveren pages 52-70
Cite article:
Ozveren, E. A Distant Reading of Two ‘Distant Writings’ by Istrati and Cartarescu: Penchant for a Chronotopic Construct in Mediterranean and The Levant. University of Bucharest Review. Literary and Cultural Studies Series 14(2), 2024: 52-70. https://doi.org/10.31178/UBR.14.2.5
Fantasy chronotopes and their complexity in The Ocean at the End of the Lane
Irina Rata pages 71-81
Cite article:
Rata, I. Fantasy chronotopes and their complexity in The Ocean at the End of the Lane. University of Bucharest Review. Literary and Cultural Studies Series 14(2), 2024: 71-81. https://doi.org/10.31178/UBR.14.2.6
Time between Storytelling and Story-following: A Cognitive and Affective View of Christopher Nolan’s Dunkirk (2017) and Tenet (2020)
Djamila Houamdi pages 82-93
Cite article:
Houamdi, D. Time between Storytelling and Story-following: A Cognitive and Affective View of Christopher Nolan’s Dunkirk (2017) and Tenet (2020). University of Bucharest Review. Literary and Cultural Studies Series 14(2), 2024: 82-93. https://doi.org/10.31178/UBR.14.2.7
Can One Fight Geopolitical Tides with Imperfect Weapons? Reckoning with the Recent Past in Ana Blandiana’s More-than-the Simple Past
Letitia Guran
Cite article:
Guran, L. Can One Fight Geopolitical Tides with Imperfect Weapons? Reckoning with the Recent Past in Ana Blandiana’s More-than-the Simple Past. University of Bucharest Review. Literary and Cultural Studies Series 14(2), 2024: 94-120. https://doi.org/10.31178/UBR.14.2.8
Book Reviews
Book Review: Female Body Image and Beauty Politics in Contemporary Indian Literature and Culture, edited by Srirupa Chatterjee and Shweta Rao Garg
Kishan Kumar Mishra & Nagendra Kumar
Cite article:
Mishra, K.K. & Kumar, N. Book Review: Female Body Image and Beauty Politics in Contemporary Indian Literature and Culture, edited by Srirupa Chatterjee and Shweta Rao Garg. University of Bucharest Review. Literary and Cultural Studies Series 14(2), 2024: 126-128, https://doi.org/10.31178/UBR.14.2.10